• fumio miyashita Live On the Boffomundo Show (LP, £19.75)

    label: drag city

    “By October, 1979, my partner, Aaron Weiner and I had produced a handful of Boffomundo Shows at Los Angeles’ first public access television studio at Theta Cable in Santa Monica. It was our good fortune to meet and partner with Tony Harrington of All Ears Records and we joined forces as The All Ears Boffomundo Show. Up to that point we interviewed King Crimson’s Robert Fripp, PFM singer Bernardo Lanzetti, and Brand X & Phil Collins (before his solo fame).  “All Ears Records' stable of artists concentrated heavily on Japanese bands and musicians. He introduced us to the already legendary synthesiser master, Fumio Miyashita, founder of The Far East Family Band, who Tony boldly dubbed ‘Japan’s answer to Pink Floyd.’ While certainly influenced by the Floyd, Fumio, along with fellow band member and award winning synthesist, Kitaro, were more accurately evolving the electronic technostylings of Germany’s Tangerine Dream, Ash Ra Tempel, Kraftwerk, and other Krautrock innovators from the early 1970s. One-time Dream and Temple member, and a seminal synth innovator in his own right, Klaus Schulze, both produced and mixed several Far East Family Band albums.  “As Aaron recalls, ‘Fumio was a gentle soul. Soft spoken, thoughtful and intelligent. And on the cutting edge of technology. It was in Fumio’s hands that I first viewed a Sony Walkman. It is mind boggling to think what has transpired technologically since then.’ Fumio brought multiple keyboards, percussion and incidental sundries to a studio the size of a small garage. Somehow, the staff of Theta Cable Studios managed to capture all the sound pumped through a 12” bookshelf speaker! A single microphone rested on a wooden stool in front of that speaker.  “In 1980, a second appearance from Fumio included Far East Family Band members, guitarist Lance Hooks and bass player George Babon. The same lone bookshelf speaker was employed once again! That proud little speaker is no doubt fully decomposed in a landfill somewhere but the music survives…” - Ron Curtiss, March 2017.


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